Dima Srouji’s ‘This Is Not Your Grave’ Explores the Intersection of Architecture and Humanity in Dubai’s Alserkal Avenue

Palestinian artist Dima Srouji's latest installation, "This is Not Your Grave," makes a striking statement about the multifaceted role of architecture as shelter, resistance, and oppression. Located within Dubai's vibrant Alserkal Avenue, this site-specific work invites viewers to explore the intersections of built environments and human experiences.

Curatorial Context

Curated by Zoe Whitley as part of Alserkal Avenue's "Walk with Me" public art commissions for 2024-2025, Srouji's installation is a standout feature across three distinct areas of the venue. Embracing accessibility and cultural engagement, Whitley's curation encourages visitors to engage with art on foot, fostering aesthetic appreciation and intellectual reflection.

Exploring Architectural Failure

At the heart of Srouji's work lies a profound exploration of the concept of architectural failure, particularly in its intended function of providing shelter. Drawing from her experiences growing up in Palestine and witnessing architecture used as a tool of oppression, Srouji delves into the complex dynamics of sanctuary and crisis.

In her own words, Srouji explains, "Over the last few years, especially during COVID, I've been reflecting on this idea of shelter as a sanctuary and what it means to actually create a shelter in the middle of a crisis during my childhood in Palestine." She highlights how architecture, traditionally perceived as a refuge, can be weaponized to perpetuate systemic violence and displacement.

Impact and Future Initiatives

Srouji's installation comprises three distinct elements - a bathtub, a staircase, and a tunnel - each representing architectural features imbued with layers of meaning. Beyond their physical form, these structures symbolize spaces of refuge and resistance, where communities gather, and families find solace amidst adversity.

Speaking about the symbolic significance of these elements, Srouji elaborates, "I'm not just interested in them architecturally because of their sense of scale as compressed spaces and so on, but actually, because they are spaces where people can gather, and the family structure becomes the actual sanctuary and then they serve as shelter."

For Whitley, Srouji's work embodies a profound sensitivity to the urban landscape and how individuals navigate and inhabit their surroundings. "Dima's three-part installation encourages a walk through Alserkal Avenue," Whitley notes. "Every curator aims for 'dwell time' from viewers and Dima's concept encourages us to gather, to linger, and to reflect."

As part of a broader effort to bring life to Alserkal Avenue's public spaces, Srouji's installation prepares the audience for upcoming works by artists Abbas Akhavan, Asma Belhamar, and Vikram Divecha. When viewed as a whole, these pieces will further revitalize and enhance the venue's cultural landscape and encourage visitors to interact with art in novel and provocative ways.

Recognition and Continued Influence

Srouji, who received the 2022-2023 Jameel Fellowship from the Victoria & Albert Museum in London, still impacts the international art scene. Her work has been acknowledged and is part of prestigious collections worldwide, including the Stedelijk Museum Amsterdam and the Victoria & Albert Museum. She is a lecturer at the London-based Royal College of Art right now.

In "This is Not Your Grave," Srouji invites us to reconsider our relationship with architecture - not merely physical structures but as repositories of memory, resilience, and resistance. Through her evocative installations, she challenges us to confront the complexities of built environments and their profound impact on our lives.