Afrobeats and Modernism Resurrects Lagos’ Concrete ‘Ruins’ As Dynamic Performance Arenas

Vibrant Nigerian music known as "afrobeats" makes an unexpected but captivating appearance among the concrete ruins of Lagos. The contrast between the modernist architectural remnants and the throbbing rhythms of Afrobeats narrates a story of parallel histories by reclaiming areas that were once symbols of liberation but are now venues for creative expression.

Origins and Evolution

As West Africa gained independence in the middle to late 1950s, modernist architecture spread throughout the continent. Modernism became a symbol of a new era, adapted to the climate and infused with aspirations of Pan-Africanism and independence. At the same time, the music scene was changing as Afrobeat, a style promoted by Nigerian artist Fela Kuti, came into being. Similar to tropical modernism, Afrobeat combined catchy beats with social and political criticism to create a coherent expression by synthesizing various influences.

The Dual Nature of Modernism

Tropical modernism wasn't merely about architectural aesthetics; it was wielded as a tool of power by visionaries like Ghana's Kwame Nkrumah, who saw architecture as a means to shape the image of a free Africa. However, in Nigeria, the era of military rule saw many commissioned buildings succumb to corruption and neglect, resulting in abandonment and decay. Yet, amidst this disillusionment, Afrobeat emerged as a voice of dissent, challenging the status quo.

While formal connections between Afrobeat and the regional manifestation of modernism in Nigeria may be scarce, a retrospective relationship is emerging. Abandoned modernist structures now serve as canvases for Afrobeats artists, breathing new life into forgotten spaces. The Trade Fair Complex and the National Theatre, erected during military rule, have become iconic backdrops for music videos and performances by artists like Burna Boy and Wizkid.

Cultural Significance

Burna Boy's Grammy performance at the National Theatre, against the backdrop of its stained-glass murals, underscored the synergy between music and architecture. Similarly, Wizkid's video for 'IDK' featured the National Theatre, hinting at the enduring significance of these structures. With its bronze-plated screen, the Trade Fair Complex has also been a recurring motif in music videos, symbolizing the fusion of culture and creativity.

Preservation and Development

Moreover, the rooftops of buildings like the Old Barclays Bank and the Shell building have become sought-after locations for artists seeking to capture the essence of Lagos' concrete skyline. These activations reclaim abandoned spaces and challenge perceptions of cultural heritage and urban development.

In Nigeria, the resurgence of interest in regional modernism coincides with Afrobeats' global ascent, representing the country's cultural exports. Afrobeats, with its infectious rhythms and universal appeal, subtly advocates preserving cultural heritage while questioning the fate of neglected architectural landmarks.

The convergence of Afrobeats and modernism in Lagos raises poignant questions about the city's future. Can these sites serve as catalysts for cultural development, bridging the past with the present? As demolition threats loom over many architectural relics, artists' activations offer a compelling argument for their preservation and adaptive reuse.

Ultimately, Lagos's ability to successfully blend modernism and Afrobeats is proof of the dynamic and resilient character of the city. By using abandoned buildings as venues for artistic expression, artists are revitalizing urban environments and preserving the soul of their towns for the coming generations. This synthesis of music and architecture, where the sounds of the present mix with the echoes of the past, gives Lagos a new lease on life.